Liev Schreiber

For many years, troubling rumors about sexual abuse involving Roman Catholic priests and underage parishioners had been bubbling to the surface of public awareness, but few, if any, details were substantiated. That all changed in 2001, however, when an intrepid team of reporters from The Boston Globe took on the story.

In 1972, the world was mesmerized by a seemingly unlikely event – a chess tournament. To be sure, this time-honored “game of kings” had long had more than its ample share of followers, but, in this match, the stakes were higher than just proving which participant was the better competitive strategist. The contest pitted Soviet world champion Boris Spassky (Liev Schreiber) against upstart American challenger Bobby Fischer (Tobey Maguire) at the height of the Cold War. The competition was a sort of proxy conflict between the two nations, with their respective representatives serving as surrogate warriors. And the event’s understood though unstated aim was to prove to the world which side was intellectually superior – and thus worthy of allegedly deserved respect and admiration.

For many of us, there comes a time in our lives when we find ourselves stretching in ways we never thought possible. Those instances can be exhilarating, introducing us to talents we never knew we possessed and enabling us to access vast untapped reserves of personal power. Of course, those revelations seldom materialize unless we recognize the opportunities that make such episodes of personal growth possible, which may be tricky if they call for us to venture outside our comfort zones. These are among the challenges posed to a cast of colorful but longing characters in the quirky new comedy, “Fading Gigolo.”